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Showing posts with label sinatra. Show all posts
Showing posts with label sinatra. Show all posts

Tuesday, April 19, 2011

'THE MAN WITH THE GOLDEN ARM' (watch it here)

Ain't gonna get much better than this, folks... Most don't know this, but there's a ton of movies on YouTube than can be watched for free. And they're pretty damned good to boot.

"The Man with the Golden Arm" is a gritty 1955 drama based on the novel of the same name by Nelson Algren. It centers on a heroin addict (Frank Sinatra) who gets clean while in prison, but struggles to stay that way in the outside world. It co-stars Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin.

It was adapted for the screen by Walter Newman, Lewis Meltzer and Ben Hecht (uncredited), and directed by the great Otto Preminger.

The controversial film was nominated for three Academy Awards: Sinatra for Best Actor in a Leading Role, Joseph C. Wright and Darrell Silvera for Best Art Direction-Set Decoration, Black-and-White and Elmer Bernstein for Best Music, Scoring of a Dramatic or Comedy Picture. Sinatra was also nominated for best actor awards by the BAFTAs and The New York Film Critics.

Great atmosphere. Great score.

Watch it below:



Wednesday, January 19, 2011

SINATRA AND BASIE... THE GLORY OF IT


Just when I think I've seen almost every candid Sinatra out there, along comes a new one. And what a doozy. Dig 'Ol Blue Eyes and Count Basie in their dressing room -- I'm guessing before one of their legendary dates at the Sands perhaps? Hmmm, perhaps moments before the video below? The hair, era, tux and dark pocket square all seem to match.



Sunday, December 12, 2010

HAPPY BIRTHDAY, FRANK!


His face might as well be printed in the dictionary next to the very definition of "cool."

cool /kul/ adjective,
-er, -est, adverb, noun, verb

Slang .
a. great; fine; excellent: a real cool comic.
b. characterized by great facility; highly skilled or clever: cool maneuvers on the parallel bars.
c. socially adept: It's not cool to arrive at a party too early.


He embodied it in every pore of his body and today is his birthday. Happy birthday, Frank!

Enjoy some of of my favorite performances below...

Dig how rambunctious the performance was...



Dig the vibe of the audience at this legendary comeback show at MSG...



Dig his opening monologue to one of the best saloon songs ever...



Dig how Frank makes Manilow cool...



Tuesday, November 23, 2010

HOW DO YOU GET SINATRA TO READ YOUR SCRIPT?

... Like this.



Friday, September 17, 2010

DIVORCE YOUR LOVED ONE WITH DIGNITY (#fridayflash)

This is one of my favorite pictures of Frank Sinatra. Oozes atmosphere. It was taken on the set of "Marriage on the Rocks," a 1965 movie comedy with Sinatra, Deborah Kerr and Dean Martin. It centers on an ad-agency president who flies to Mexico to celebrate his nineteenth wedding anniversary, but ends up divorced by mistake.

While Frank Sinatra divorced Ava Gardner in 1957, I've always imagined him getting a quickie divorce from her over the border whenever I see this pic. In fact, for the longest time, that's what I actually thought.

On that note, it may have gone a little something like this...


"We can't even take care of ourselves, Francis. How were we going to take care of a baby?"

That's what Ava said to me. I knew that was the beginning of the end for us. If she only knew how much I loved her. I left my wife for her.

She said it again and I fluffed it off. It repeated in my head but I didn't know what the fuck it meant. I already had three kids and they were just fine. She would have ours and he, she -- it -- would be fine, too.

We've been down this road before. About a year ago, she didn't tell me about the first abortion and I never let her forget it. That was her first and last warning.

This time when she was knocked up, the studio got involved. Some bullshit about penalty clauses.

I tried to reason with her. "Baby, you're one of the biggest movie stars in the world. Do you think that schnook Harry Cohn is gonna fine you?"

"He'd do it. Never liked you..."

My blood boiled. Any other time or place, I would snap his back like a toothpick and then use it for lunch. "Me? He was a bum when I got into town and he's still one."

She nodded, half-afraid. She knew I was right.

"I'll take care of it, baby," I said as I poured the Jack.

"Frankie... Don't...," was all she said and looked away.

I bit my bottom lip and headed out to the pool with the Jack. Her "don't" told me alot. It said that those silly Hemingway movies were more important to her. It also told me she had no confidence - maybe in me as a father, herself as a mother - I dunno.

Yup, I knew what that "don't" meant. I went back inside to convince her that this baby would save us, but it was too late.

And as I watched her walk out the door to get her second abortion, I knew we'd be in Mexico this time next week signing the papers.

It wasn't long before I started to dread the heat.

# # #

And now, just listen to the pain in Frank's voice as he sings "I'm A Fool To Want You," undoubtedly to Ava. Gives me chills...



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Wednesday, August 11, 2010

UNDISCOVERED 'RAT PACK' PHOTOS RELEASED

Sinatra and gang take a stroll through the kitchen towards the stage at Miami's Eden Roc resort.

If you're a Rat Pack fan then this is a gift from above. I'm a sucker for candid photos and whenever I see a new picture of Sinatra and the gang that I've never seen, it feels like Christmas morning.

On the 50th anniversary of the original Rat Pack flick "Ocean's 11," Life.com has put together a stupendous gallery of never-before-seen pics of Frank Sinatra, Dean Martin, Sammy Davis Jr., Joey Bishop and Peter Lawford.

LIFE's photographers trailed the various members of the Pack through the early sixties. And of those thousands of shots taken, many have never been published — until now.

For the full gallery at LIFE.com click HERE.

Frank savors his vices backstage at the Sands Hotel and Casino.

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Friday, June 4, 2010

AGENT ORANGE (flash fiction)

By 1967, I was buried deep in the bowels of the Bureau at Quantico -- with shitty clearance to boot.

I was a clerk in the Records Management Division. Oh sure, I was an agent for what it was worth. Basically, it came in handy at bars. Every chick within a 10 mile radius wanted to fuck a bonafide FBI agent and I helped them with that.

I started when I was discharged from Korea. A guy in my unit had an uncle who's friend was a G-man. I figured that I had enough Fidelity, Bravery and Integrity to serve my country overseas so why not stateside. After training, it was no time before the conformity of the day turned me into a working schnook and I found myself working as a glorified librarian.

You see, when Special Agents - the real guys - need information for their field agents, I get a either a wire or a phone call. I would pull thousands of case files -- everything from the militant "New Left" to homegrown Communists to the KKK. We feds were on it all.

But there was this one file called "Agent: Orange" that kept creeping across my desk. As conduits of information that often dealt with national security, we were forbidden to open them. And closed circuit cameras made sure we kept our peepers front and center. The rumor I kept hearing, though, was that The Pentagon was developing a new herbicidal warfare program just in case that conflict in Vietnam got any worse. "Agent: Orange" ... they said this was its name.
The file kept getting thicker and I thought nothing more of it.

* * *
A year or two went by and truthfully, I was starting to get bored with the day-to-day doldrums of the job. I wasn't a young agent anymore and any chance I had at a normal life with a family was quickly evaporating. In fact, the sacred information that I doled out on a daily basis was all I had. The files were my kids and I would watch them grow and mature.

I loved them.

* * *
And then it happened. A horrific nor'easter wiped out one of the national grids and I was alone in the records room. Until power was restored, there was no chance of getting in or out since the door was on a magnetic timer. Moreover, the cameras were out. This was my chance. I would finally get to meet one of my babies.

Out came the flashlight and the first child that I saw was that infamous "Agent: Orange" file. Imagine the shock when I found out that the folder was not named for a classified weapons initiative but a person.

Out came my baloney sandwich, I combed through every line on every page and soaked up every photo.

The file centered on a particular FBI Agent - deep undercover - who, among many things, persuaded mob insider Joseph Valachi to spill the beans about the structure of La Cosa Nostra -- the American "mafia."

The dateline of the case report hit me like a ton of bricks.

09 MARCH 1967
LAS VEGAS/WASHINGTON
OPERATION -- "AGENT: ORANGE"
FIELD AGENT: FRANCIS A. SINATRA


Fuck me.

The more I thought about it and almost choking on baloney, it made perfect sense. It was a genius cover. What better way to infiltrate the mafia than by grooming a young Italian singer into an international icon who would eventually travel in their circles and become one of their most trusted friends?
Oh sure, Hoover like to play up the fact that he was a gangster, but that was part of the cover. The Bureau even went so far as giving him a fake tough guy background by arresting him back when he was first recruited. All these years later, little do his fans know that there was a reason why he got away with everything.

But I couldn't figure out why they called him "Agent: Orange."
About two hours later, the power came back on. It was the only file I got through. And boy, the stuff I learned...

* * *
By the mid-seventies, I was retiring along with several other agents and an elite dinner was planned at the posh St. Regis Hotel in Washington, D.C. Along with President Gerald Ford, the event boasted a who's who that included Alexander Haig, Donald Rumsfeld, Nelson Rockefeller and Henry Kissinger.

Dreading the farewell speeches that were to come, I almost left but then I saw him at the bar and oddly, he was alone -- at least for the moment. I decided to make my move and as he drank his Jack on the rocks, I introduced myself and informed him that I worked in the Bureau's Records Management Division.

I winked. He stared.

I winked once more and Lord only knows where I got the courage to say, "I love your work... Agent Orange."

I winked. Again.

He'd clearly had it by this point and before he walked away,
leaned in and said, "What'sa matter, pal. You never saw a super spy before?"

As he sauntered towards the power brokers, it hit me. I knew why he was Agent Orange. It was his pocket square. I should've known that orange was his favorite color. Some agent I am...

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Wednesday, April 14, 2010

REFLECTIONS OF A PIT BOSS: SINATRA, THE SANDS AND A THOUSAND SWINGIN' NIGHTS


Back around 2000 or so, I stumbled across the web site of Ed Walters, a pit boss for the Sands in the '60s, who knew Frank Sinatra and the rest of the Rat Pack. I thought it would be great to interview him for Casino Player, the publication I wrote extensively for. Originally, late editor Adam Fine wanted to run the piece in two parts because it was too long. Sadly, he never found the room (since it was the beginning of the magazine's dwindling ad space). The story turned out pretty good and and it remains one of my favorite pieces.

If you're interested in Sinatra, Dino, Sammy, vintage Vegas, Bogart or gambling, this is a must read. In our interview, Walters dished alot and told me stories about the gang that I 've never heard before.

Like I said, it's a tad long, feel free to bookmark and peruse at your leisure.


Reflections of a Pit Boss: Sinatra, the Sands and a Thousand Swingin' Nights

Former pit boss Ed Walters remembers it was a bad night for the Sands.

The baccarat pit was down around 80 large to some European high roller.
Walters was nervous because they were on their way to losing more. Way more.

It was the early sixties. 80 thousand clams meant around $300,000 by modern standards. After alerting casino manager Carl Cohen, it was clear that there was only one thing to do.

Get Frank Sinatra.

The young pit boss didn't want to flirt with the Chairman's famous mood swings -- especially at 2 a.m. - and told Cohen, "I don't wanna call Frank. He won't listen to me."

"Look, don't be afraid of Sinatra." Cohen said. "He'll help us out." But why even call Sinatra in the first place?

If there was one thing Cohen knew, it was that the singer understood the casino business. The high roller was in town with his wife, who was a huge Sinatra fan. If they kept her there, the husband would keep playing, hopefully long enough for the house odds to kick in. Simple as that.

After placing a call to his suite, the usually-nocturnal Sinatra showed up in pretty good spirits. Walters immediately informed him that the player was hotter than a two-dollar pistol.

"Relax," Sinatra said.

"But we got a lot of cash out..."

The Sultan of Swagger took one last drag of his cigarette, looked at Walters with those ice-blue peepers, and casually said, "Stop worrying, let me handle it. Just tell the dealers to pick up the speed and let's keep the action going."

Sinatra headed to the table with that trademark gait of confidence, took a seat smack dab next to the wife, asked for two grand, and started playing. She couldn't believe it. With Sinatra at the table, no one moved.

Cohen was right.

Two hours later, the house recouped its losses -- and then some. When the game broke up, a relieved Walters watched the tuxedoed Sinatra walk past the gold ropes of the pit, smiling.

"You owe me one, Kid..." he said with a wink.

Walters just heaved a huge sigh and thought, "Man, I sure as hell do."

Thursday, June 11, 2009

THE POWER OF A SINATRA ZIPPO (poem)



I remember my old Sinatra Zippo
that I picked it up on one of the Vegas
trips that seem now like a figmant.

For years to come, Frankie would
keep me company at the watering
holes and help me look cool
when one of the cupcakes needed a light.

He'd stare at me, smiling,
half-embarassed that I placed him
next to my sweaty Miller Light.
It beckoned me to order a Jack.
He was right. I did him the favor.

Through the years I've come to
understand that it takes a particular
kind of man to do certain things
like wear leather;
sip whiskey;
construct the perfect tie knot;
look without getting noticed;
and yes, work a Zippo.

One night after one too much
petrol, I left without Frank.
The next night I went back
but 'Ol Blue Eyes was gone.
I felt like one of the dames
he'd pat on rear after a day,
month or a year of hey-hey.

I managed to track down the
same Zippo online but it
just wasn't the same.
Frank was gone.
His work was over.
Someone else needed the cool.

I knew now how to sip whiskey.