NEW FICTION: Bourbon & Blondes has arrived!

From the bus stations of Rt. 66 to the smoky, neon-tinged jazz dives of the big cities, these wanton tales of longing introduce us to vixens on the fringe and those shifty men that drove them there.

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Watch: The 'Bourbon & Blondes' Book Trailer

Get your shot glass ready because you're about to enter a retro world of showgirls, drifters, barmaids and thieves.

The eternal question for scribes?

In this new social media landscape, the question becomes: Is blogging dead? It just may be...

Watch: The 'Front Page Palooka' Book Trailer

Read the pulp novella that one reviewer called 'A potboiler in the style of old school writers like Mickey Spillane, Dashiell Hammett or Raymond Chandler...'

Sunday, September 30, 2012

'BOARDWALK EMPIRE RECAP': YOU'RE NOT GETTIN' GLOOMY ARE YA, GUS?


'I got a gun ... HE got a gun ... He got a gun ... EVER'BODY GOT GUNS!
'BOARDWALK EMPIRE' RECAP
SEASON THREE, EPISODE TWO
'SPAGHETTI & COFFEE'


THIS WEEK: Written by Howard Korder and directed by 'Empire' first-timer Alik Sakharov, the tension in this episode progressed nicely with — shockingly — no body count which is a rarity these days on 'Empire.' As always, take heed... Massive spoilers ahead.

Here's what went down:

• Nucky meets a new 'associate' in the form of U.S. investigator Gaston Bullock Means, courtesy of Attorney General Harry Daugherty.

• At St. Theresa’s, Margaret, still trying to get a handle on playing the dutiful benefactor, clashes with both doctor and patient.

• Gyp Rosetti finds an odd solace with Tabor Heights when he realizes how strategic the town is on a map.

• Chalky White and daughter Maybelle (Christina Jackson) disagree on her future with potential husband and current med student beau Samuel.
• Eli, sprung from jail, comes to terms with his absence from home and goes to work for a most unlikely boss.

For my full scene-by-scene annotated recap, historical footnotes, episode videos, tunes from the era and other thoughts, visit NJ.com.




Tuesday, September 18, 2012

BOARDWALK EMPIRE RECAP': GANGSTER GYP MORETTI STEPS OUT

Character actor Bobby Cannavale explodes on the screen as gangster Gyp Moretti.
BOARDWALK EMPIRE RECAP
SEASON THREE, EPISODE ONE
'RESOLUTION'


THIS WEEK:  The more things change, the more they stay the same. Around a year has passed and Jimmy Darmody (Michael Pitt) is long gone. Nucky Thompson (Steve Buscemi) — no longer Atlantic County treasurer — keeps busy by playing benefactor and philanthropist by day while supplying the region with plenty of alcohol by night. Written by showrunner/executive producer Terence Winter and directed by 'Empire' veteran Tim Van Patten, the action in this third season premiere flash-forwards to the dawn of 1923 on New Year's Eve.

Here's what went down:

• We meet this season's newest loose cannon: Gyp Rosetti, a Sicilian hothead who wastes no time in becoming a fly-in-the-ointment.

• At his lavish New Year's Eve bash, Nucky declares that he will be no longer supply liquor to the masses and will be selling to only one customer.

• Margaret gets (a little too involved) at St. Theresa’s Hospital where she and Nucky are benefactors and have built a new wing.

• Gillian Darmody embarks on a new business venture while caring for Tommy, her late son Jimmy's orphaned little boy

• In Chicago, Al Capone locks horns with Irish mobster Dean O' Banion

• Stumblebum Nelson Van Alden, now on the lam in Illinois, peddles irons door-to-door by day. But will it be for long?

For my full scene-by-scene annotated recap, historical footnotes, episode videos, tunes from the era and other thoughts, visit NJ.com.




Sunday, September 16, 2012

'BOARDWALK EMPIRE' SEASON 3: FIVE QUESTIONS


Well ... It's back. It's been a long wait.

The third season of HBO's prohibition drama "Boardwalk Empire" kicks off Sunday night at 9 p.m. and we're prepping our best small batch bourbon for the return of Nucky Thompson and company.

We'd be lying, however, if we said we weren't a bit worried. After last season's shocking body count of major players, will HBO's lavish critical darling rebound from not only the loss of a main character but continue its upward momentum while maintaining it's rich period detail?

I have questions.

READ THE REST OF THE PIECE AT NJ.COM WHICH INCLUDES MY 'FIVE BURNING QUESTIONS FOR THE RETURN OF 'BOARDWALK EMPIRE.' CLICK HERE



Thursday, August 16, 2012

HAPPY BIRTHDAY, BUK!


I know, I know... the blog has been a tad lonely of late. Reason? The day gig has been a tad intense this summer. But alas, regularly scheduled posts will return as well as goodies from a guest poet, new film noir suggestions and oodles of flash fiction and Americana fun.

And what better time to let Basement Dwellers know this than on Hank's birthday...

To celebrate the occasion, enjoy the video below, the COMPLETE Bukowski documentary "Born Into This," a stupendous look at the life of this blog's namesake. The movie is well worth a watch so grab your best hooch and settle in for an hour or so:


Friday, July 27, 2012

EDWARD HOPPER PAINTINGS COME TO LIFE


One night last week, I was watching a documentary about the Library of Congress and the National Film Registry's effort to preserve American motion pictures and was immediately struck by a short film called "Cologne: From the Diary of Ray and Esther."

This charming piece of Americana, shot by Minnesota residents Ray and Esther Dowidat, documents the people and everyday life in Cologne, Minnesota, circa 1939. Compiled by the National Film Preservation Foundation from 18 American film archives, "Cologne," was one of the 50 films in the four-disc DVD set called "Treasures from American Film Archives."

A stunning portrait of a bygone era, Raymond Dowidat used the narrative tool of his wife writing in her diary as a tool to drive the images in "Cologne." The short film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." More on the film HERE.

Thankfully preserved by the Minnesota Historical Society, a description on it's home on Daily Motion reads as follows: "Cologne: From the Diary of Ray and Esther is a 1939 short documentary film which deals with the German-American community on the eve of World War II. It was directed by Esther Dowidat and Raymond Dowidat."

It's quite simply a snapshot to another time, a portal to the past and, for my money, an Edward Hopper painting come to life.

Enjoy it below...


Cologne: From the Diary of Ray and Esther (1939) by Lost_Shangri_La_Horizon


Thursday, July 12, 2012

NEO NOIR: FOUR FILMS YOU MIGHT HAVE MISSED, PART III

Clockwise from top, Philip Baker Hall, Michael Madsen, Kim Dickens, and Alec Baldwin

My rule: The best thing about noir as a genre is that it can be bent a thousand ways from Sunday. I've said that once and I'll continue.


While most classic noir films we've come to love have stemmed from the 40s and 50s (too many to name), plenty of neo noirs have been delivered in the modern day from director Roman Polanski's take of the private eye film in "Chinatown" to the burnt-neon world of Ridley Scott's sci-fi "Blade Runner." Those are givens. But what about the flicks off the beaten path?


Just as in parts one and two, I'm going to recommend four more neo-noirs that some of you may have missed the first time around.

Zero Effect (1998)





The gist: Jake Kasdan's feature-film debut centers on Steve Arlo (Ben Stiller) and Daryl Zero (Bill Pullman), with the latter being a damn near genius when it comes to the art of sleuthing. Their newest case comesin the form of finding a shady tycoon's missing keys. But Zero never counted on being bitten by the love bug in the form of unlikely vamp Kim Dickens.

Why I loved it: If this isn't a modern take on Sherlock Holmes I don't know what is. Like most, I was leery upon seeing the often-predictable Stiller in this - but he delivers as the metrosexual Watson-type. And Pullman? Otherwise a fly-under-the-radar thesp, he owned the movie as the awkward detective. And stunning Kim Dickens? Her femme fatale is a tad unconventional but more than effective. Pretty much hard to find these days (usually it's on cable), the video above has the film in its entirety.

Heaven's Prisoners (1996)





The gist: Based on the crime novels of James Lee Burke, former New Orleans cop Dave Robicheaux (Alec Baldwin) returns to the grit of the French Quarter when he stumbles upon a suspicious plane crash and saves the life of a young girl. Caught between rampaging federal agents and a drug-running former friend (Eric Roberts), the twists and turns come fast and furious.

Why I loved it: Roughly a decade before he scooped up scores of Emmys on NBC's "30 Rock," Baldwin had a minor run as brooding leading man. Lord, one can only imagine what he could've done in the late 40s-early 50s. Eric Roberts is pure fun (even with the scenery-shewing) as the baddie who used to know Baldwin.

Kill Me Again (1989)





The gist: Set within the steamy Nevada desert as well as casino towns Reno and Las Vegas, this feature debut of neo-noir stylist John Dahl ("Red Rock West," "The Last Seduction"), centers on Joanne Whalley-Kilmer, a vamp who tries to break free from her mob connections by faking her own death. The patsy in all this is private eye Jack Andrews (Val Kilmer), who quickly gets spun into her web of woe and seduction.

Why I loved it: While Whalley-Kilmer plays the femme fatale for all it's worth, a pre-'Reservoir Dogs' Michael Madsen steals the show as her psychotic boyfriend on her trail. Kilmer may have been slightly miscast as the modern gumshoe, but Whalley-Kilmer, Madsen and Dahl's steamy neo noir direction more than make up for it.

Hard Eight (1996)





The gist: Visionary director Paul Thomas Anderson's first film chronicles the relationship of John (John C. Reilly) and professional card sharp and gambler Sydney (Philip Baker Hall), who takes John under his wing after showing him how to exploit the casinos' perks. Flash-forward a few years and the duo enjoy life as successful gamblers. All is grand until John falls for a cocktail waitress (Gwyneth Paltrow) and gets mixed up with a shady stranger (Samuel L. Jackson).

Why I loved it: This simple little film delivers in spades and Baker Hall owns the movie as the fatherly gambler. The real star, however, is the gritty city of Reno itself which bleeds onto the screen.


Friday, June 22, 2012

EARTH ANGEL (#fridayflash)



Press play for some mood music


My conscience was beginning to hold me hostage and the ransom was my future.

Despite what we were taught by Father Flynn, some people were expendable. They just didn't matter. I was a crook born and raised in a cold, Catholic orphanage and quickly learned that even I didn't matter. She was no different. I could tell she didn't exactly have a high opinion of her own footing in life.

It was easy for people like us to fall off the map. Bus depots, train stations, truck stops, ports of call - they were all breeding grounds for skirts with lonely hearts and creeps with one eye on their drink and the other on the door.

I met her at one of these destinations and, to be honest, it really didn't matter which one. I sold her a bill of goods and she bought them willingly. All I had to do was wink my wink and promise a little cabbage when our grift was done.

A suitcase of diamonds. That's what the road to kismet thought she was worth. And it worked. Greed tapped me on the shoulder that day and I figured one less future whatever-she-was-gonna-be didn't matter in the grand scheme of the universe. She already had one strike against her looking down the barrel of my gun.

But I remember that even in death, she looked like an angel - even with the Lucky Strike hanging from those puffy rosebud lips. Three hours later, she slept in the Earth.

Some people are expendable. At least that's what I told myself as I patted the dirt with my shovel.

The problem with that logic is that eventually, if we live long enough, guys like me develop a stab of sympathy. Our damned wisdom gives us a frame of reference. And then it all becomes clear.

I have to chuckle because the man upstairs cursed me. No, he didn't get me pinched. I have all my limbs and I can see through both my eyes. I felt snakebitten by Ol' Totem because I met the woman who would be my wife not one day after I put that sweet young thing down.

I've lived a lie my whole life and now when I look at the face of my teenage daughter I hope that my earth angel doesn't take it out on her.

Wednesday, June 20, 2012

'BOARDWALK EMPIRE' SEASON 3 TEASERS

Nothing like simple, but effective teasers... Enjoy these very quick black and white spots for the third season of 'Boardwalk Empire' on HBO. Recaps, as usual, will come Monday mornings at NJ.com in September.

Prep your bourbon...





Tuesday, June 12, 2012

THE KREATIV BLOGGER AWARD



The Flash Fiction blog Liminal Fiction and its owner, Richard Bon, was kind enough to bestow upon me the Kreativ Blogger Award. Mucho thanks for that, Richard! Thanks, as always, for reading.

In order to accept the kudos, I have to share 10 things about myself with my basement dwellers and pass it along to a few blogs that I feel are worthy. OK ... So here goes:

1) I can only watch noir films at night.

2) I'm a sucker for old radio dramas.

3) I still maintain that my favorite job was my first - in the stock room at Barnes & Noble. Oh, the books...

4) I hate the warm weather and all that comes with it.

5) As a child, I never had a pet.

6) I certainly have pack rat tendencies but obvious Rat Pack style.

7) My first REAL shot of any kinda hard booze was after a fight with an old flame well into my twenties. No worries, I've more than made up for lost time.

8) On my first and only Boy Scout camping trip, me and a bunch of the other young scouts got tied to a tree. Um... Yeah. Never went camping again.

9) If there's a marathon airing anywhere on TV, I'll usually watch. That said, I try to avoid VH1 on Sundays.

10) I once did a ridiculous amount of freelancing for Men's Health magazine and as someone who now covers many facets of entertainment, lemme just say that it's easier to get celebrities on the phone than doctors.

Now that THAT'S out of the way, I'm passing along the Kreativ Blogger Award to three completely different animals:

Bish's Beat: One stop shopping for pulp, noir, hard-boiled and retro goodness. Bish, a retired cop, has been at the blog game a while and more than brings the goods.

Alt Disney World: I've said it before. I'm a sucker for the Americana of Walt Disney and his theme parks. For an alterntive look at life within the parks and Disneyana, this is the only blog you need to read.

Drunken Absurdity: The blogger blog of counter-culture madman Adam Schirling, founder and editor-in-chief of Drunken Absurdity, the revolutionary ezine that features alternative literature, poetry, art and movies. Soon to be a print venture.

Thursday, May 24, 2012

NEO NOIR: FOUR FILMS YOU MAY HAVE MISSED, PART II

Clockwise from top left: Joe Pesci, Gina Gershon and Billy Zane, Woody Harrelson and Robert Mithum.

The best thing about noir as a genre is that it can be bent a thousand ways from Sunday. I've said that once and I'll continue.

While most classic noir films we've come to love have stemmed from the 40s and 50s (too many to name), plenty of neo noirs have been delivered in the modern day from director Roman Polanski's take of the private eye film in "Chinatown" to the burnt-neon world of Ridley Scott's sci-fi "Blade Runner." Those are givens. But what about the flicks off the beaten path?

Just as in my prior post, I'm going to recommend four more neo-noirs that some of you may have missed the first time around.

PALMETTO (1988) 




This gist: Woody Harrelson as a noir schnook borders on pure genius. Here's the gist: Jilted reporter Harry Barber (Woody Harrelson) is framed for for exposing corruption in City Hall in Palmetto, Fla. Once he's sprung, Barber is quickly seduced by the devil in a dress named Mrs. Malroux (Elisabeth Shue). She lets him in on a lil' fake kidnapping scheme: For pretending to abduct her stepdaughter, Harry snags $50,000. The officer in charge of the case hires Barber as the police spokesman, but their simple plan runs into complications and unexpected twists.


Why I loved it: Woody is fabulous and the humid Florida atmosphere drips off the screen. And Shue... Wow. Was she born to play a femme fatale. A solid neo-noir.

FAREWELL MY LOVELY (1975) 




The gist: What's a noir list without a Marlowe film? The second big screen adaptation of Raymond Chandler's novel, is much closer to the source text than the original 1944 film " Murder, My Sweet." The film centers on Hollywood detetcive Marlowe's attempts to locate Velma, a former dancer at a seedy nightclub and the girlfriend of Moose Malloy, a petty criminal just out of prison.

Why I loved it: Robert Mitchum, for my money, is one of the best Marlowe's I've seen. Dare I say, he might be better than Bogie? Shot in lush, period detail, everything about it works. Look for a Sly Stallone cameo. Trivia: In 1978, Mitchum reprised the role of Marlowe in "The Big Sleep" but the drama was oddly set in the present day and in England.

THIS WORLD THEN FIREWORKS (1997)



 

The gist: Undoubtedly the oddest of this lot, the neo-noir is based on a posthumously published Jim Thompson story in all its seedy glory. And I DO mean seedy. Billy Zane stars as Marty Lakewood, a reporter forced to leave Chicago because he had uncovered too much police corruption (sounds similar to 'Palmetto.') He returns to his small hometown on the California coast to his ailing mother and prostitute sister (Gina Gershon), with whom he had an incestuous affair. The scheming begins...

Why I loved it: This is by far the kinkiest noir I've ever seen. And yes, kinkier than Thompson's other adaptation, 2010's 'The Killer Inside Me.' This B picture is filled with gangsters, policewomen and LOTS of double-crossing. No doubt, the film feels icky. A real neo-noir, but be warned. Caveat: This is a tough film to find. While some may be able to find it on VHS, I was able to snag it a few years ago on cable.

 THE PUBLIC EYE (1992) 




The gist: When the mob bears down on a widowed nightclub owner (Barbara Hershey), she enlists the help of New York City's most reliable crime scene photographer Leon "Bernzy" Bernstein (Joe Pesci), who agrees to get involved in exchange for good pictures -- and a potential romance. 

Why I loved it: Pesci delivers. This was an attempt to make Pesci a real leading man after he won his Oscar for 'Goodfellas.' Sadly, the film never found an audience. This is perhaps the most conventional film of this bunch, despite all the period detail. Still, a fine and worthy movie to add to any neo-noir canon. Trivia: The film is loosely based on the famed New York Daily News photographer Arthur "Weegee" Fellig. Currently streaming on Comcast.

Thursday, May 17, 2012

NEW TV SHOWS: 'VEGAS,' 'MADE IN JERSEY'

The gorgeous Janet Montgomery in 'Made in Jersey.'
As the networks pimp their shows with announcements from the upfronts in Cali., I have to admit that nothing is exactly tickling my fancy. 

For the most part it's the same bumper crop of sitcoms, police procedurals and paranormal caca with the name J.J. Abrams stamped on it. Call me jaded.

Two shows, however, stood out. Since I hail from the state Tony Soprano called home, "Made in Jersey" seems intriguing enough. It centers on a young working class woman who uses her street smarts to compete among her pedigreed Manhattan colleagues at a top New York law firm. It also helps that star Janet Montgomery (a Brit playing a jersey gal!) is impossibly gorgeous.
 
The second a waaaay  more my speed. Fresh of the heels of successful period programs like "Mad Men" and "Magic City," comes "Vegas." The drama is inspired by the true story of former Sin City  Sheriff Ralph Lamb, a rancher tasked with bringing order to Las Vegas in the 1960s. We're so in... The fact that it stars Dennis Quaid as the lawman and Michael Chiklis as a Chi-town mobster s just icing.

The following are the trailers and official synopsis for each show.

 VEGAS



The official synopsis: Dennis Quaid and Michael Chiklis star in VEGAS, a drama inspired by the true story of former Las Vegas Sheriff Ralph Lamb, a fourth-generation rancher tasked with bringing order to Las Vegas in the 1960s, a gambling and entertainment mecca emerging from the tumbleweeds. Ralph Lamb (Quaid) wants to be left in peace to run his ranch, but Las Vegas is now swelling with outsiders and corruption which are intruding on his simple life.

Recalling Lamb's command as a military police officer during World War II, the Mayor appeals to his sense of duty to look into a murder of a casino worker – and so begins Lamb’s clash with Vincent Savino (Chiklis), a ruthless Chicago gangster who plans to make Vegas his own. Assisting Lamb in keeping law and order are his two deputies: his diplomatic, even-keeled brother Jack (Jason O'Mara) and his charming but impulsive son, Dixon (Taylor Handley). Ambitious Assistant District Attorney Katherine O'Connell (Carrie-Anne Moss), who grew up on the ranch next to the Lambs, also lends a hand in preserving justice. In Vegas, two powerful men – Lamb and Savino – are engaged in a fierce battle for control of the budding oasis, and for both of them, folding is not an option. Nicholas Pileggi, Greg Walker, Cathy Konrad, Arthur Sarkissian and James Mangold, who also directed the pilot, are the executive producers for CBS Television Studios.

MADE IN JERSEY



The official synopsis: MADE IN JERSEY is a drama about a young working-class woman who uses her street smarts to compete among her pedigreed Manhattan colleagues at a prestigious New York law firm. Martina Garretti (Janet Montgomery) finds her firm’s cutthroat landscape challenging, but what she lacks in an Ivy League education she more than makes up for with tenacity and blue-collar insight.

After just a few weeks, firm founder Donovan Stark (Kyle MacLachlan), takes note of Martina’s ingenuity and resourcefulness, as does her sassy secretary Cyndi Vega (Toni Trucks). With the support of her big Italian family, including her sexy older sister Bonnie (Erin Cummings), Martina is able to stay true to her roots as a bold, passionate lawyer on the rise in a new intimidating environment. Jamie Tarses, Kevin Falls, Julia Franz and Mark Waters, who also directed the pilot, are the executive producers for Sony Pictures Television in association with CBS Television Studios. Pilot was written by creator and co-executive producer Dana Calvo.



Friday, May 11, 2012

HIPPY CHICKS (#fridayflash)


Press play for some mood music
 

They didn’t give a flying rat's ass about poetry or jazz. They just wanted to maybe smoke and get drunk. Maybe score some of that good reefer from the new beatnik kid who wanted to be Kerouac.

They were young American girls who thought they knew it all. They were runaways but would never admit it and, under normal circumstances, would probably be pretty were it not for the vigors of bohemian life like tobacco, booze and certain mild psychedelics.

Being from a big Northeastern city, the two girls were both children of hard-working immigrants and it's pretty safe to assume that the goatees, slang and hipster clothes were lost on their parents, a generation who left their own country to build ours.

Monica, the brunette, insisted everyone call her 'Monique' while the blonde, Yelena, of Russian descent, had to endure the nickname 'Sputnik I' from all of the resident Dobie Gillises around the way.

One night while she was out, Monique's father found books on Buddhism under her bed and when she came home, threatened to throw her out. When she explained that it opened her mind, he opened his wallet, handed his only daughter a fifty dollar bill and called her an evil gypsy. She snatched the money from his trembling hand and never looked back.

Yelena left home quite differently. She began dating a journalist whose scribbled a tad too much about certain 'isms,' which, quite frankly, hit a tad too close to home for Russian expatriates like her parents. When Yelena suggested at the supper table one night that Uncle Sam should start equalizing the playing field a bit more and that men like Henry Ford were the devil incarnate, her parents suggested she enter the world that she knew nothing about. Sputnik I accepted, grabbed her beret, and embarked on a year-long couch hopping tour.

Yelena's tour ended when her journalist boyfriend's tour in the Vietnamese jungle began. Eventually, she snagged a job as a shopgirl where she would eventually meet her husband, a bank manager from two towns away. It's safe to assume that yes, she would endorse Capitalism.

And what of Monica -- err, Monique? She would eventually migrate west and couldn't afford to get past Reno. She wasn't complaining, though. As a hat check girl, she paid her bills and met many fine young suitors.

Years passed ad it's funny how times ad those doors of perception change because these two mature women would eventually give those slobs at Woodstock the stink eye.

At this point in their life thousands of miles apart, the jazz of those bohemian nights never sounded better.

Music: 'Bohemian Nights' by Adam Wojtanek. It can be downloaded HERE.

 

Wednesday, May 9, 2012

NEO NOIR: FOUR CLASSICS YOU MAY HAVE MISSED

Clockwise from upper left, Denzel Washington, Michael Shannon, Billy Bob Thornton and Elliot Gould
 
The best thing about noir as a genre is that it can be bent a thousand ways from Sunday.

While most classic noir films we've come to love have stemmed from the 40s and 50s (too many to name), plenty of neo noirs have been delivered in the modern day from director Roman Polanski's take of the private eye film in "Chinatown" to the burnt-neon world of Ridley Scott's sci-fi "Blade Runner." Those are givens. But what about the flicks off the beaten path? I'm going to recommend four neo-noirs  that some of you may have missed the first time around. 

THE LONG GOODBYE (1973)






The gist: Of all directors, Robert Altman takes on Raymond Chandler's hard-boiled gumshoe Phillip Marlowe in an update of "The Long Goodbye" with Elliot Gould stepping into the iconic role as he bops around Los Angeles in the early 70s. Yes, it's odd. Between Altman (who I felt couldn't tackle Chandler), and Gould (who I felt was woefully miscast), I had reservations from the first frame. Was I wrong. In a big way.

Why I loved it: Gould gives us such a quirky, unconventional muttering-to-himself Marlowe that he makes you like him. He's not a tough guy which is oddly refreshing in any noir. What's more, Sterling Hayden, a vet himself of vintage noir films, shows up as a grizzled Hemingway-eque scribe. And finally, "The Long Goodbye" boasts one of the catchiest theme songs I've heard in a while that you'll want to own it. Easily worth a watch. (Netflix streaming)

THE MISSING PERSON (2009)






The gist: Boozy private-eye John Rosow (Michael Shannon) is hired to shadow a mysterious man leaving on a train from Chicago bound for Los Angeles and soon finds out that he's not who everyone thinks he is. As a result, it's not long before the detective channels his own inner demons by discovering he and the man he's looking for are very much alike. If there was a quintessential post 911 noir, this would be it.

Why I loved it: Two words - Michael Shannon. Anyone who is a fan of 'Boardwalk Empire' knows that the Oscar-nominated Shannon ('Revolutionary Road') is a fine thespian and his ballsy interpretation of the typical gumshoe is first rate. (Netflix streaming) 

THE MAN WHO WASN'T THERE (2001)






The gist: This Joel Coen and Ethan Coen film casts Billy Bob Thornton as sad sack California barber Ed Crane. When his wife cheats on him (Frances McDormand), he embarks on a devious blackmail scheme that eventually explodes in his face. James Gandolfini co-stars.

Why I loved it: This is perhaps the most typical noir of these neo examples. In fact, this black-and-white flick could easily have been released in 1949 and no one would be able to tell. I've said it before and I'll say it again: No one does retro films better than the Coens. Their visual aesthetic and attention to detail make each frame a virtual painting. Add in moody noir elements, and you have a damn near classic.

DEVIL IN A BLUE DRESS (1995)





The gist: Based on the character created by writer Walter Mosley, the film is set in Los Angeles circa 1948. A stranger asks war veteran (and self-taught private dick) "Easy" Rawlins (Denzel Washington) to help find a missing woman and he quickly gets in over his head becoming entangled in a murder mystery.

Why I loved it: Denzel ooooooozes charisma in this. So much so, that one wishes there were more films in the Easy Rawlins cannon. Good news, however. According to Deadline ad CNN, NBC is developing a project called "Easy Rawlins," based on Mosley's best-selling series. Quick... someone call Idris Elba. Let's hope the Peacock Network doesn't screw it up in development like they did with 'The Playboy Club' and 'Prime Suspect.'

Friday, April 27, 2012

PICK ME UP ON YOUR WAY DOWN (#fridayflash)


Press play for some mood music

first hour


It had been a long drive for Grace -- like can't feel your legs long.

Somewhere between the grime of Los Angeles and the burnt palette of the Nevada border, she ditched her pumps altogether. As she drove over the cracked asphalt, she heard them rattle underneath the passenger seat and it bothered her.

third hour

She looked for a gas station or roadside slophouse. Nothing. Despite the growling in her gut, she wasn't hungry. She needed a cup of Joe. Anything would help now and she couldn't help thinking that even the mud Gus sold on his hot dog cart outside the courthouse would do. Without caffeine, the radio would have to do. Nothing but Patsy Cline and Charlie Walker for hundreds of miles. It helped for a while, but she had a deadline so Grace pressed on because she knew there'd be a reward. Especially after what she'd done.

sixth hour

She was now in Nevada and the boys would soon be by to pick her up after ditching the toaster she was driving. At least that was the plan. Or was it?

seventh hour

Sweat dripped down the back of her neck and all Grace wanted to do was rip off the deluxe over-the-shoulder-boulder-holder she bought from the five and dime. But then, that would be unladylike so unbuttoning a few extra buttons would have to suffice. Besides, who was watching?

eighth hour

By now, the sun was sleepy and she leaned against the car and wondered if there was any beer left in the cooler of the trunk. There was, but those Lowenbraus were floating in ice water hotter than a two-dollar pistol.

Then it hit her. They weren't coming. They never were. But it was okay. Truly okay.

Her plan worked. She knew those fellas were lower than the belly of a snake and she smiled at the very thought of how truly dumb they were.

ninth hour

As the sun set on Grace, she hopped back into the heap and headed back to Los Angeles to where she actually hid the money.

Music: Charlie Walker, "Pick Me Up On Your Way Down" via the Internet Archive. It can be downloaded here.