NEW FICTION: Bourbon & Blondes has arrived!

From the bus stations of Rt. 66 to the smoky, neon-tinged jazz dives of the big cities, these wanton tales of longing introduce us to vixens on the fringe and those shifty men that drove them there.

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Watch: The 'Bourbon & Blondes' Book Trailer

Get your shot glass ready because you're about to enter a retro world of showgirls, drifters, barmaids and thieves.

The eternal question for scribes?

In this new social media landscape, the question becomes: Is blogging dead? It just may be...

Watch: The 'Front Page Palooka' Book Trailer

Read the pulp novella that one reviewer called 'A potboiler in the style of old school writers like Mickey Spillane, Dashiell Hammett or Raymond Chandler...'

Monday, September 29, 2008

VIA TIME: THE MOST BANNED BOOKS OF ALL TIME


Since 1982, the American Library Association has sponsored Banned Books Week to pay tribute to free speech and open libraries. The tradition began as a nod to how far society has come since 1557, when Pope Paul IV first established The Index of Prohibited Books to protect Catholics from controversial ideas. Four-hundred and nine years later, Pope Paul VI would abolish it, although attempts at censorship still remain. TIME presents some of the most challenged books of all time.

To read the list, click HERE.


Monday, September 15, 2008

SPRINGSTEEN'S STARK AND HAUNTING 'ATLANTIC CITY'

Atlantic City could be a haunting place. Amid billion dollar casinos, glitz and bright lights, lies a level of poverty, decay and urban blight rarely seen in modern US cities. Enjoy the video and lyrics to Bruce Springsteen's "Atlantic City," a haunting ode to the ultimate downtrodden seashore town and it's once glorious past as "America's Playground."




'ATLANTIC CITY'
Well, they blew up the chicken man in philly last night
Now, they blew up his house, too
Down on the boardwalk theyre gettin ready for a fight
Gonna see what them racket boys can do

Now, theres trouble bustin in from outta state
And the d.a. cant get no relief
Gonna be a rumble out on the promenade
And the gamblin commissions hangin on by the skin of his teeth

Well now, evrything dies, baby, thats a fact
But maybe evrything that dies someday comes back
Put your makeup on, fix your hair up pretty
And meet me tonight in atlantic city

Well, I got a job and tried to put my money away
But I got debts that no honest man can pay
So I drew what I had from the central trust
And I bought us two tickets on that coast city bus

Now, baby, evrything dies, honey, thats a fact...

Now our luck may have died and our love may be cold
But with you forever Ill stay
Were goin out where the sands turnin to gold
Put on your stockins baby, `cause the nights getting cold
And maybe evrything dies, baby, thats a fact
But maybe evrything that dies someday comes back

Now, I been lookin for a job, but its hard to find
Down here its just winners and losers and dont
Get caught on the wrong side of that line
Well, Im tired of comin out on the losin end
So, honey, last night I met this guy and Im gonna
Do a little favor for him

Well, I guess everything dies, baby, thats a fact...




Sunday, September 14, 2008

THE GENTLEMAN CAME TO PLAY (poem)

I usually try to find companion photos with all of my original poems. That said, do you know how damn hard it is to find a pic of a cool, elegant dude playing baccarat? The closest representation of who I'm writing about is none other than Don Draper. If you don't know who Don Draper is... click HERE.



THE GENTLEMAN CAME TO PLAY
His crisp white shirt pressed
Black loafers,
spit-shined to perfection;
The Hair? dapper as ever.
Thanks to the pomade.
And that gorgeous suit,
direct from Saville Row,
the one he bought
for last year's party
(but never wore) waits
on the old valet;
Hasn't been worn since.
The silk tie itself
a piece of art,
would make Cary Grant proud;
especially because it
meets perfectly at his
belt;

His cologne,
spicy and musky,
dolloped behind each ear;

After adjusting his good luck
cuff links through
each jacket sleeve,
he fingers her paisley
handkerchief into his pocket;
His good luck charm;
A token he'd never gamble without;

Fussing with it,
he can still smell her perfume,
a mix of sandalwood and rose;
he finds it intoxicating.

His Cartier tank reads 7:45 p.m.;
right on schedule.
He's ready to tango
with Lady Luck;

Downstairs,
where the action is,
he wades through
the crowded casino floor
and sits at the high-limit
baccarat table.

Fellow gamblers
greet him by name;
Immediately, a cocktail girl
jets over and smiles
a tad more than she should;
he orders a Jameson, neat;
He wins when he sips it
every 7 minutes;

He lights a Dunhill
and greets the dealer
who simply nods
after he places a
modest bet;

Everyone knows now
that the gentleman came
to play


Tuesday, September 9, 2008

TOM WAITS: HOLD ON

Enjoy this video and lyrics for "Hold On," one of my favorite Tom Waits songs. Chuck full of old school imagery, the tune has a solemn, sad energy about it. Please enjoy...



HOLD ON
They hung a sign up in out town
"if you live it up, you won't
live it down"
So, she left Monte Rio, son
Just like a bullet leaves a gun
With charcoal eyes and Monroe hips
She went and took that California trip
Well, the moon was gold, her
Hair like wind
She said don't look back just
Come on Jim
(Chorus)
Oh you got to
Hold on, Hold on
You got to hold on
Take my hand, I'm standing right here
You gotta hold on
Well, he gave her a dimestore watch
And a ring made from a spoon
Everyone is looking for someone to blame
But you share my bed, you share my name
Well, go ahead and call the cops
You don't meet nice girls in coffee shops
She said baby, I still love you
Sometimes there's nothin left to do
Oh you got to
Hold on, hold on
You got to hold on
Take my hand, I'm standing right here, you got to
Just hold on.

Well, God bless your crooked little heart St. Louis got the best of me
I miss your broken-china voice
How I wish you were still here with me
Well, you build it up, you wreck it down
You burn your mansion to the ground
When there's nothing left to keep you here, when
You're falling behind in this
Big blue world
Oh you go to
Hold on, hold on
You got to hold on
Take my hand, I'm standing right here
You got to hold on
Down by the Riverside motel,
It's 10 below and falling
By a 99 cent store she closed her eyes
And started swaying
But it's so hard to dance that way
When it's cold and there's no music
Well your old hometown is so far away
But, inside your head there's a record
That's playing, a song called
Hold on, hold on
You really got to hold on
Take my hand, I'm standing right here
And just hold on.

Saturday, August 16, 2008

ALL HAIL THE KING

Elvis Presley died 31 years ago today. Let's bow our heads and listen a little rockabilly.



Thursday, August 14, 2008

'THE TWO ELVISES' PART THREE


Very few people have read any fiction I've written, much less a story which happens to not be my particular favorite. In any case, a few months ago, I posted this poem. It was an ode to a teenaged Vegas elopement and the bar they visited soon after. After thinking about it, I figured it was the perfect companion piece or sequel to a short story I wrote eons ago about the same subject. If anything, the only thing I can say is that they ultimately belong together at this point. First this story, "The Two Elvises" which I'll post in three parts, and then the poem from the other day - Honeymoon at the Atomic.
________________________________________________
"The Two Elvises" - Part Three

So here they were, a week later, standing in the tackiest house of worship they've ever known. They were about to join the ranks of individuals who go the extra mile in romanticism. The unconventional notion of packing up everything with your loved one and eloping, is a proposition people with no courage can only dream about. Besides, if the town was able to marry big shots like Paul Newman, Jane Fonda, Sammy Davis, Jr. and Michael Jordan, two snot-nosed kids from Chicago probably wouldn't have many other options.

"So what should we do, baby?" Carol asked him.

He shrugged his broad yet bony shoulders. "Doesn't matter. How 'bout the Elvis one? It'll be fun, I guess." She smiled in agreement and turned to the minister who was prepping himself for a 7:30 p.m. ceremony -- a black couple from Georgia were renewing their vows after 42 years of marriage.

"'Scuse us, father. I think we're gonna go with the Elvis wedding?"

"Splendid."

"How much extra we talkin'?" Stu asked.

"The Elvis wedding is an extra hundred."

"Are you kiddin'?" Stu said, frowning.

The minister pulled up the sides of his trousers. "Be rest assured son, that our Elvises are the best in the biz," he defended. "Jake Peters was named best rockabilly Elvis by Presley's own fan club."

"Really?" Carol asked.

"Yesiree. Three years running. He's got that one-man review show up in that hotel... Venice."

The couple conferred. Stu told her that an extra hundred could easily be used for gas or even more important, lodging for at least a couple of nights.

"But I want to," his bride-to-be insisted. "We'll remember it for the rest of our lives."

"Carol, are you thinking about where we're gonna sleep? As it is, our money is already starting to disappear."

"Only because you had to stay up all night playing blackjack."

"Hey, I won back everything I lost. So you can't count that."

Stu saw the corner of her bottom lip begin to quiver. "I thought you loved me," she said to him.

"Oh, Jesus Christ, it has nothing to do with loving you, Carol."

"After all we've been through"

Stu shut his eyes in aggravation saying, "God damn it Carol --"

The minister snapped his Bible shut and said as kindly as possible, "Excuse me son, can you watch your language? We're in The Almighty's house after all."

The boy knew he was wrong and held up his palm to the minister, embarrassed, "See what your doing, Carol, making me curse in a place of worship. And besides, when did you suddenly start liking Elvis?"

Carol ignored Stu. "We'll take the Elvis package," she told the minister, pulling out a small bundle of tens and twenties.

"What the hell is that?" Stu asked.

"I'll pay for the Elvis thing, okay?"

Stu was still dumbfounded. "Carol, where did you get that money? Did you call them? Did they wire you money?"

She stopped counting the bills. "Remember after the buffet at breakfast you had to go the bathroom?"

"Yeah..."

"I slipped off to a slot machine and won about $190. I was gonna use it to buy you a wedding present but since you're bein' such a creep, I'll pay for the Elvis. That's my present to you. Happy fucking wedding day."

Stu knew to just keep his mouth shut. He'd smooth things over later. Besides, Carol was going to feel so euphoric after the ceremony, chances are she'd forget about it.

But things got confusing again. "Which Elvis would you like?" the minister replied.

Carol wasn't really getting the gist of what he was asking. "Anyone'll do. Whoever's available."

The minister chuckled, shaking his head saying, "You don't seem to catch my meanin'. Would ya'll prefer rockabilly Elvis or jumpsuit Elvis?"

The kids looked like they were just asked to explain the square root of pi.

"Big difference you know," the minister continued. "Big difference."

Stu never really thought about Presley as two separate entities. As far as he was concerned Elvis was... well... just Elvis. He decided to fess up and asked, "What's the difference?"

"Well," the minister explained. "Rockabilly Elvis was the young Elvis. The one y'all probably seen from the clips of the Ed Sullivan Show. He was vibrant, charismatic and good lookin' too," he said glancing at Carol and pointed to a photo from one of the wedding catalogs. "You see, the is what rockabilly Elvis looked like."

Carol's eyes lit up. "Elvis was a babe, huh?" she said to Stu.

"Yeah, I guess. Too bad he became fat and bloated."

The minister gave Stu a look as if he'd committed blasphemy. It was sacreligous to refer to the King -- in the town that he helped put on the map -- as fat and bloated. "I beg your pardon, young man," the minister corrected, "the king had a little bitty problem in his twilight years." The minister took a long pause before he tried to diplomatically explain. "In the seventies, the King put on a little weight so to speak and he couldn't fit into them tight leather numbers he liked to wear."

"Those cool suits didn't fit him either, huh father?" Stu asked.

The minister agreed and sadly shook his head. "Let's just say they weren't very conducive to his..." the minister said trying to find a harmless word. "...Girth."

The minister flipped through a couple more pages in his catalog and pointed to a photo of Elvis from his last concert. In all the splendor that was The King, there he was in full Technicolor -- the gaudy white jumpsuit, the bloated puffy cheeks and the huge gut -- an inflated icon that once made millions scream.

The minister shook his head in a weird kind of despair, "It's a damn shame," he said as if just hearing about his death on that dreadfully hot August afternoon. "Yep, it's a damn shame what them drugs'll do to you." He tried to lighten up and turned to the kids, "So which will it be?"


The married couple walked out of the chapel. Carol held onto Stu's hand like a vice grip to the point where he had to fake checking his watch to have her let go. Stu noticed his wife was beaming. Happy at the world. Happy that she was finally someone's wife. Stu's wife. Not quite knowing how to feel yet, Stu smiled back and stayed quiet. In his young life, if he figured out anything, it was that when you don't know what to say, you don't say anything.

Noticing a hot dog stand on the corner, Stu asked Carol if she was hungry."

"I was hoping that our first meal as husband and wife would be a little more special," she said.

"Hon, If I don't get something in my stomach, I'm gonna faint. Besides, I had so many butterflies in there, I think it might be good to eat a little something."

"Oh, all right," she said kissing him.

There was a small line ahead of them at the stand. A family of three, seeing the city, sightseeing; a casino worker, probably a dealer; and a woman with a small duffel bag. She was absolutely stunning. Stu put on his sunglasses to get a better peek without getting snagged by the misses. He took her in at least from the back -- dark brown hair, caramel complexion, and a rear end that favored a small basketball. If there was a 'Best Ass in Vegas' competition, Stu thought she'd win, hands down.

"Do you know what you want?" Carol asked him.

"Uh, yeah," he said. "A hot dog."

"I know that, Stu. I mean what are you getting on it?"

It was useless. Stu took off his sunglasses and turned to Carol. "Uh, I don't know, Carol. Why?"

Carol shrugged her shoulders, "No reason. 'Scuse me for asking. Forget it."

Stu knew it was wrong to snap at her, especially since they tied the knot just 15 minutes ago. He kissed her on her cheek and playfully bit her earlobe. It was his way of apologizing. She knew it and put her arm around him. Her way of saying, "It's okay, but don't let it happen again."

The happy couple stood there waiting, arm-in-arm, as everyone ordered their dogs. Stu watched the pretty woman in front of him order two franks with relish and quickly remembered how much he despised relish. He watched her stroll over to a nearby bench and eat the foot longs. Man, it was a pretty erotic sight. A vision that he tried hard not to frustrate him. After all, he was a newlywed and there was definite sex in his immediate future. If he played his cards right, he and Carol would be in the sack by dusk.

"What do you want on your hot dog?" Carol asked, sounding peeved.

"Why?"

"'Cause the guy's waiting for your order?"

Stu turned to the vendor. "Do you have chili?"

"No chili" the man answered in an unrecognizable accent. "Just bean."

"That's fine."

Stu paid the peddler and he and Carol walked over to a bench parallel to the one the girl was on. The sunglasses came on again. "Man, this sun is bright, huh?" he said to Carol. "Where's your sunglasses?"

"Left them in the car."

"What did you do that for?" Stu asked, chomping into the dog.

"It was cloudy before, remember?"

"Oh yeah," he answered.

Carol looked as if something was bothering her, but Stu didn't notice. It wasn't until he heard her sniffing that he knew something was wrong.

"Honey, are you okay?"

Carol didn't answer.

"What's wrong?" he asked again, sitting closer to her and altogether forgetting about the sexy stranger across from them.

"Did we make a mistake today?" she asked him, blowing her nose with one of Stu's napkins.

"Why are you saying that?" Stu wanted to comfort her and let her know that everything was going to be okay. He rubbed the back of her neck and he felt her loosen up a bit. "I love you, Carol." he said. "I plan to be married only once in my life, so you're stuck with me whether you like it or not."

"Look at us," she said to him. "Where we gonna wind up? Where are we gonna go?"

He scarfed down what was left of his hot dog and sprinted to a newspaper vending machine. As he trotted back to Carol, Stu held the paper up like a paperboy and said, "What's next? We find jobs -- that's what's next."

"Really?" Carol didn't know how to respond. The thought of settling in Vegas was never really propositioned. At least not seriously.

Stu went on. "We get jobs, get a cheap place and..."

"And what?" Carol asked, somewhat excited at his burst of enthusiasm.

"And... I try to look up my dad. Last I heard he was out here making a living."

"He's still here?"

Stu shrugged his shoulders. "Who knows? We'll see."

"What's he do?"

"I heard he was a pit boss in one of the casinos but got fired."

"What's he do now?" Carol asked.

"My mom said he's a professional card sharp or something."

"He gambles for a living?"

"Who knows if he's even still in town. He could be pumping gas in Alaska for all I know. Who knows if he'd even want to see me." Stu switched gears. "The important thing is that we plant some seeds to grow roots of our own. Me and you. Know what I'm saying?

Carol didn't say anything. She was weighing what Stu was saying.

"Please don't ever doubt what we did here ever again, okay?" Stu said watching Carol getting the napkin out of her pocket and blowing her nose. This time, tears of happiness were flowing down her chin and she whispered, "I love you. You're so right, baby."

"Don't worry about a thing," Stu said, hugging his wife and noticing the sexy stranger get up from the bench and walk across the street into the Sugar and Spice Lounge. A banner attached to the building advertised an all-day go-go rama with over fifty girls. Stu thought she must have been one of the fifty.

He wanted to see her on that stage, wrapped around a pole. He couldn't help it. One thought ran through his mind repeatedly.

"How can I get her phone number?"

THE END



Tuesday, August 12, 2008

'THE TWO ELVISES' - PART TWO


OK... As I said the other day, I feel like I'm going out on a limb here. Very few people have read any fiction I've written, much less a story which happens to not be my particular favorite. In any case, a few days ago, I posted this poem. It was an ode to a teenaged Vegas elopement and the bar they visited soon after. After thinking about it, I figured it was the perfect companion piece or sequel to a short story I wrote eons ago about the same subject. If anything, the only thing I can say is that they ultimately belong together at this point. First this story, "The Two Elvises" which I'll post in three parts, and then the poem from the other day - Honeymoon at the Atomic.

_________________________________________

"The Two Elvises" - Part Two

They met a year ago when Carol's dad met Stu's mom at The Drink Cart, a small bar inside of the main terminal in Chicago's O' Hare Airport. Stu's mom, Bette Holmes, was an over-the-hill flight attendant whose days were numbered. It's not that she was incompetent or belligerent to passengers, but simply, she wasn't the youngest flower in the bouquet anymore. Years of flying cross-country have begun to take their toll. And after training an endless number of pretty young girls to work with her on the plane, she knew, from watching them bounce up and down the aisle with their bubbly smiles, peddling earplugs and magazines, that she was through. When it got slow, she'd sneak into the bathroom and gaze in the mirror, inspecting the wrinkles that resembled the topography she often flew over.

It didn't stop there. Her golden brown hair that once flowed in wavy strands now resembled frizzled hay. The eyes, once bright and optimistic, now peered with darkened suspicion. And the hourglass figure that used to make male passengers melt behind their Newsweeks, evoked the shape of a bowling pin. It was obvious -- what little looks she did have were quickly whisking away, like the dry leaves in a late autumn breeze.

So in drowning her sorrows after a long flight from LAX, Bette met Roger Nichols, a copier salesman, just back in town from his company's annual convention.

When the subject of family came up, Bette said, "I have a son. Stuart. Just turned twenty."

"Really?" Roger said, sounding surprised. "My daughter's gonna be twenty on March 7."

Bette smiled, as if they were sharing the same secret. "They'll drain you, huh? Drive you batty. What's her name?"

Roger saw the face of his baby girl. "Carol," he answered, pulling out a small snapshot from his wallet. "Isn't she a doll?"

"Oh yes," Bette said. "Stu would love her..."

So Stu and Carol were introduced about a month and a half later at a Labor Day barbecue held on the grounds at Roger's company. At first Stu thought Carol was a little primadonna, with her shoulder shrugging and one word answers. But he soon realized, after knowing her a bit, that's how she acted when she was nervous. As for Carol? She thought Stu was a typical jock, sophomoric and stupid at the same time. But after she got to know him, she realized it was his free-spirited nature, easy-going and relaxed that made him appear so juvenile.

"You live in town?" was the first thing Stu asked her. After Carol answered yes, he was stuck and really didn't have much else to say. Neither did she. The initial small talk of young love can be excruciatingly scary and the lack of chit-chat between these two kids were perfect examples. When Roger jogged over and asked them what they wanted from the grill, a small part of Stu and Carol were relieved. They thought they were saved, but Roger, not wanting to intrude, took their food requests and went back to the barbecue. They were back at square one.

"So..." Stu said stumbling for something to say, "is that your red Miata?"

She nodded. "I got it used about a month ago. You like it?"

"Who wouldn't? Is it a stick?"

She crinkled her nose. "Yeah, but I can't really drive it that good," she said. "I stall alot. It took me a half hour to get here today because I had to find a way with no hills."

Stu knew this was his area. "Carol, you've come to the right guy. I've been driving five-speeds ever since I got my license."

"Do you have any pointers?" she asked.

A young man's cockiness overcame Stu. "The way I can teach you, you'll be driving NASCAR by Friday."

So there was the common ground. He helped her drive like Mario Andretti and she let him take her out a couple of times after the lessons. Usually it was to Friendly's for ice cream. Once they tried to buy beer, but got carded by some kid working the register that was younger than them. Stu called the kid a prick and they left the store.

They eventually became friends and it wasn't soon after, that their hormones got the best of them. It was only natural, therefore, that things became sexual.

When their folks announced wedding plans, it was Thanksgiving night and Stu and Carol didn't quite know how to deal with the fact they would soon be related. Both of them just stared into their plates filled with beets and turkey to the point where their parents wondered if they were ill.

"What should we do?" Carol asked later over the echoes of a football game.

"Stu flicked on MTV and put the volume louder so their parents wouldn't overhear and said, "Do you think we should stop seeing each other?"

"Stop seeing each other? Stu we're gonna like see each other every day. This is serious."

"Didn't you think that our parents getting married was a possibility? I say we do nothing. They fell in love. Why can't we?"

Carol thought about it. Stu was right. "Should we tell them?"

"No," he said. "They'll find out soon enough I guess."

So Bette and Roger wed about three months later in a quaint bed and breakfast ceremony and technically, you could say, Stu and Carol became step-brother and sister.

The family moved into a quaint tudor in the Chicago suburb of Englewood Heights. To the naked eye, Stu and Carol looked like any other step-brother and sister - the hogging of the bathroom, the fight for the remote control and even the quarrel as to who would take the garbage out wasn't uncommon. But behind closed doors, the two were falling deeper in love.

If Bette and Roger went upstairs to bed, then Stu and Carol would descend to the basement where a finished off den gave them all the privacy they needed. And for the evenings when Bette had overnight flights and Roger had sales meetings five states away, the kids played house, doing everything young couples do.

And it was those little things that almost got them caught -- like the time when Roger noticed the fireplace had been used when no one was supposed to be home. When he saw all the mood music scattered about, he just had to ask Stu, "Didn't you go skiing this weekend?"

Stu thought quick. "Bobby's water pump busted and my car wouldn't have made it that far, so we had to cancel."
"Did you have a date?" Roger asked examining the back of a Barry White CD.

"Not really. Some girl I knew from high school came over and she got a little cold, so I lit the fireplace."

"Was Carol here? Didn't she cramp your style."

"Luckily she went out with her friend Jackie and slept over there."

"I hope you scored at least."

Stu smiled. "I sure did Roger. I sure as hell did"

"That's what I like to hear kiddo," his stepdad said as he walked out of the den. "Do it while you're young 'cause gettin' old is a bitch."

Their luck, though, had to run out sometime. One Saturday morning -- when Bette always did housework -- she found something very odd and alarming. While emptying Carol's trash basket next to the bed an electric blue Stallion brand condom wrapper fell to the ground. It was Ribbed. She'd been home for the past three days and hadn't seen any boys come over to see her step-daughter. It didn't set right especially since her husband used the same brand. She thought about it a little more and came to the conclusion that something funny was indeed going on. She saved the wrapper and decided to show it to Roger when he came home from work.

"I found this in the trash today, Roger," Bette said throwing the condom wrapper in front of him as he sat down at the kitchen table.

"The kid works fast," Roger said to himself, but still letting Bette hear.

"What?" Bette asked, not understanding.

"Hon, don't worry. The other day Stu asked me if I had any extra rubbers. The kid's been seein' some girl lately and I've been asking him how it's been going. I guess he's starting to trust me a little."

Bette didn't know how to tell him so she just blurted it out. "I found it in Carol's bedroom."

"You found it where?"

"I was cleaning her room when I found it in the trash."

Roger's face turned beet red. "Are you thinking what I'm thinking..."

Bette sat down and fanned herself with a coupon circular. "Rog, no one has been in this house for a couple of days and unless you've been sleeping with her, I think our kids may be --"

"I'll kill him, Bette."

"Let me talk to him," she said. "Just calm down. Maybe there's a good explanation for this." She knew, however, there couldn't have been. There was a protocol, a decorum, that was broken. Nothing could fix it now.

About three hours, later Stu came home from work and Carol was up in her room on the phone. When their parents called them down to the kitchen, Stu knew they were caught. "What do we tell them?" Carol asked, petrified.

"Let me handle it. I'll do all the talking. Don't say a word."

But Carol did and Stu reacted to their parents like any twenty year-old would -- with angst and anger perpetuated by just the right amount of fear that makes people do the craziest of things.

"We love each other," he said. "You guys fell in love, why can't we?"

"Because, you little shit, it's dysfunctional," Roger snapped. "Did you ever see Marsha Brady sleep with Greg?"

Stu walked towards the door saying, "I don't have to take this."

Roger trotted after him and spun his stepson around and said, pointing into his face, "We are not done talking. Get back into that kitchen."

"No."

"Then get out!"

"Roger!" Bette screamed. "This is my child! Now, let's just all sit and talk about this."

"Daddy!" Carol piped in every couple of seconds during the confusion. She finally said when all was quiet, "If he goes, so do I."

Roger grabbed hold of his daughter's arm. "You're not going anywhere."

It was at that point where Stu drew his line in the sand, pushing Roger as hard as he could, clutched Carol's wrist and dragged her out of the house with him. "I love you, mom" was the last thing he said before slamming the door. All he heard as they ran down the walkway was his mom crying from inside.

TO BE CONTINUED ...



KEROUAC: KING OF THE BEATS

OK... Making this one was fun. So there are plenty of Kerouac videos out there. This is a short video I created that tries to capture the aura, essence and bravado of the tough guy scribe. Have a scotch for me, Jack, wherever you are...




Sunday, August 10, 2008

THE STATE OF POEM - DOCUMENTARY

Zampano Films, an outfit in sunny California, has filmed "The State of Poem," their ode to the form of poetry. Thank God. We need films like this for the form to survive. Shot by director
Alveraz Ricardez, it's a comprehensive view of contemporary poetry across the United States. Look for it in the Spring.

The State of Poem (extended trailer)



Saturday, August 2, 2008

MY NEWEST VIDEO: 'GHOSTS OF THE BLUES'

...You probably won't find more haunting images of the Deep South than in this short video. Dunno where or how this one popped out of my brain. Took me a very brisk two days to finish. If anyone ever wants to know how, why or where the blues emerged, look no further. Hopefully this can explain... And you also have to love Blind Willie Johnson's haunting moans.

WARNING: Some scary images of brutality may not be suitable for younger kids.



Thursday, July 31, 2008

TOM WAITS ON NPR


Tom Waits is adding an extra stop to his sold-out "Glitter & Doom" summer tour: NPR Music's "Live in Concert" series. NPR Music is the only place to hear a full concert from Waits' tour, which will be available for both free streaming and podcast at www.NPR.org/music.

During the show, recorded at Atlanta's historic Fox Theater on July 5, Waits gives a two-and-a-half hour performance, featuring songs he's never played outside a studio. The 25-track set includes "Hold On," "All the World is Green" and "Hoist That Rag," followed by an encore of "Anywhere I Lay My Head."

Waits is the latest musician to have an entire performance streamed by NPR Music, which frequently webcasts rock, pop and indie concerts as part of its extensive "Live in Concert" series. The series has featured more than 100 events to date.

In March, NPR Music and Member stations traveled to Austin, TX, to live webcast and broadcast 14 concerts from the influential music festival South by Southwest, among them R.E.M., My Morning Jacket, Vampire Weekend, Bon Iver and Yo La Tengo. All SXSW performances are archived at the site. This summer, NPR Music is also webcasting and broadcasting performances from the Newport Folk Festival and JVC Jazz Festival Newport in Rhode Island.

NPR Music launched in November 2007 as a free, comprehensive music discovery destination, featuring content from NPR and 12 NPR Member public radio stations, as well as original-to-NPR Music features such as live performances, studio sessions, interviews, reviews and blogs. Specific sections of the site are dedicated to rock/pop/folk, classical, jazz/blues, world and urban music. The site culls from NPR's and the stations' extensive music archives to present thousands of features; its popular Concert section offers hundreds of regional and national web concerts, with more than 15 new performances added each month. NPR Music also has dozens of original music podcasts.


Tuesday, July 29, 2008

SPRINGSTEEN - ROCK'S STEINBECK

I've long said that had Bruce Springsteen not been a rock god of the highest order, he'd surely make a fabulous showing as a poet extraordinaire. For proof, I suggest snagging a copy of his lyric book "Songs" at Amazon.

As an example, here's the lyrics for "The Ghost of Tom Joad," an ode to Americana, hard times, and the open road and where it may brings you -- be it a soup kitchen or a bread line.

The first video for the tune is a quiet, solemn version Bruce did in the studio. The second video is an electric version and a truly fucking amazing duet with Tom Morello that was shot live... Holy shit, the guitars!!!


THE GHOST OF TOM JOAD
Men walkin' 'long the railroad tracks
Goin' someplace there's no goin' back
Highway patrol choppers comin' up over the bridge
Hot soup on a campfire under the bridge
Shelter line stretchin' 'round the corner
Welcome to the new world order
Families sleepin' in their cars in the Southwest
No home no job no peace no rest
The highway is alive tonight
But nobody's kiddin' nobody about where it goes
I'm sittin' down here in the campfire light
Searchin' for the ghost of Tom Joad

He pulls a prayer book out of his sleeping bag
Preacher lights up a butt and takes a drag
Waitin' for when the last shall be first and the first shall be last
In a cardboard box 'neath the underpass
Got a one-way ticket to the promised land
You got a hole in your belly and gun in your hand
Sleepin' on a pillow of solid rock
Bathin' in the city aqueduct

The highway is alive tonight
Where it's headed everybody knows
I'm sittin' down here in the campfire light
Waitin' on the ghost of Tom Joad

Now Tom said "Mom, wherever there's a cop beatin' a guy
Wherever a hungry newborn baby cries
Where there's a fight against the blood and hatred in the air
Look for me mom I'll be there
Wherever there's somebody fightin' for a place to stand
Or a decent job or a helpin' hand
Wherever somebody's strugglin' to be free
Look in their eyes Mom you'll see me."

Well the highway is alive tonight
But nobody's kiddin' nobody about where it goes
I'm sittin' down here in the campfire light
With the ghost of old Tom Joad






Monday, July 28, 2008

GROOVESPOOK'S LATEST IS 'STUPID'


Our favorite hard-drinkin' techno ambient groovemeister is back with the eclectic and eerie tune "Stupid." Watch it in the dark... it'll freak you out.

Of the poetic tune (read the lyrics first), Groovespook says on his blog:

"So I have finally completed STUPID. It took me literally MONTHS of gradual frame by frame masking of both my eyeballs (it's called rotoscoping in professional circles) Great learning experience and got me some mean chops with a few key shortcuts. Seriously though, I looked at the first test I did and it was FEBRUARY!!!! So it really has taken me nearly 6 months to complete.

It is not highly apparent either that all of my two eyes through the entire video have been painstakingly masked. 6736 frames to be exact. That is like drawing a vector shape onto a layer in Illustrator or photoshop and applying a 3 pixel feather 13472 times. I soldiered on like a.. ... soldier, I guess, for MONTHS.

I am very proud of it. My mind is boggling at the future of my videos now this is complete. Options options options are almost LIMITLESS - aside from my damn time!!! I want to employ my good friend Gregger to direct the next one, in a huge green room he has access to. ooooooh. It will not be the Matrix but it will feature more effect heavy rendering and fun. I presume. Better lighting too no doubt.

Here are the lyrics...

STUPID

he sold his belongings again
took what was left
of his friend's advise to heart
round the bend to
begin this legend this great one's defences end

spilled whisky and shunned one to win
the eyes of such beauty his world went out to end
round the bend to begin this legend this princesses stories end

Stupid
Stupid
Stupid
Stupid

Now both of his remaining wits end
struck out for the one bastard ravers intent
round the bend to begin this legend
this young drivers next stupid
this young drivers next stupid
this young drivers next stupid
this young drivers next
this young drivers next

Stupid
Stupid
Stupid
Stupid
Stupid
Stupid
Stupid
Stupid





Sunday, July 20, 2008

MEET GROOVESPOOK: THE NEXT MOBY


... Only more poetic and with no dopey political or environmental agendas like saving the tsetse fly or rare leaves in the Amazon. He's a hard-drinkin', eclectic techno artist whose lyrics are thought-provoking, dark, ambiguous and timely.

If one takes a look at the playlist at right, it's obvious that the musical vibe of Bukowski's Basement isn't exactly ambient or techno-driven. Yup, as we stir our whiskey with a rusty nail, we gravitate towards those tunes that akin to the underbelly. But that said, we do love to chill every now and then, so meet Groovespook. His quirky, grim, two-toned lyrics are a perfect fit for Bukowski's Basement as are his simplified, disturbing videos (constructed in his own basement).

Here's some lyrics...

TWAS PINK FOR A MINUTE
The Shape of it was cool,
The eye of any fool
could name it's origin but for the mix that lay within

The feel of it was cool
the touch of any fool
could tell the presence of a forethought kept on ice
on ice
but
the taste of it was cool
the look of any fool
could send a weaker man to mirror such a weaker man
than I am
than I am
than I am

And the video...



So how just how did "Twas Pink for a Minute" come about? "I came directly home from having to work Saturday and Sunday of the long weekend that was the 4th of July," he explains on his blog.

"Nothing could be more depressing for a 36 year-old really," said the musician, who's real name is Porl Gordon, an Australian transplant who lives in New Jersey. He goes on to say that after getting home from work, he built himself the aptly-named "Gordon" (a simply awesome Martini with secret ingredients) and sat down and did the following:

1. Wrote a poem about it.
2. Turned it into a tune.
3. Performed it.
4. Recorded it.
5. Visually recorded it.
6. Visually performed it.
6. Merged the three (almost seamlessly)
7. Imported them into After Effects and added... ummmmm... After effects? Or is that too stupid?
8. Exported it to a happy format for You Tube.
9. Uploaded it.
10. Watched it and finished the Martini

Born in England and raised in Australia, he started penning music when his parents gave him a Yamaha DX7 synthesizer at 14. Ever since, he started buying more equipment and developing his own style which led to a self-produced disc called "Broad Water Moods."

Gordon says he's inspired by the likes of Thomas Dolby, Tears for Fears, Peter Gabriel, Massive Attack and Portishead. In addition to the ivories, Gordon also plays flute and bass and uses his voice in his recordings. He worked as a deejay in his native land down under and when he was 26, he headed to London and continued to work the steel wheels at various music venues. "I did raves in London. I would do eight hours of music," Gordon told his local paper. In 1999, he came to America.

Here's his other hypnotic creation, "FAILURE AT THE CAVE" which we think may have fanboys wetting their pants.

FAILURE AT THE CAVE
I walked right in
not me scared
not of him
not a lizard hissing
could sweat me pissing my
x wing trousers

he said I wouldn't need my light saber
the little wizard said backwards clever things
not three more minutes
till I'm face to face
with a nasty man

in a trench coat
and a garbage can
redesigned to keep his
scorched dead skin
from flicking all right off of him

Of course I couldn't know that then
because of lying old man Ben
and the little green wizard
shot glances between me and him
under my x wing
swamp weed
wouldn't need my light saber
the little wizard said backwards clever things
not a pained long focus
could have let me see who the nasty man was

in a trench coat
and a garbage can
redesigned to keep his scorched dead skin
and showing Luke Anakin

Now check out his video for it...