While Frank Sinatra divorced Ava Gardner in 1957, I've always imagined him getting a quickie divorce from her over the border whenever I see this pic. In fact, for the longest time, that's what I actually thought.
On that note, it may have gone a little something like this...
"We can't even take care of ourselves, Francis. How were we going to take care of a baby?"
That's what Ava said to me. I knew that was the beginning of the end for us. If she only knew how much I loved her. I left my wife for her.
She said it again and I fluffed it off. It repeated in my head but I didn't know what the fuck it meant. I already had three kids and they were just fine. She would have ours and he, she -- it -- would be fine, too.
We've been down this road before. About a year ago, she didn't tell me about the first abortion and I never let her forget it. That was her first and last warning.
This time when she was knocked up, the studio got involved. Some bullshit about penalty clauses.
I tried to reason with her. "Baby, you're one of the biggest movie stars in the world. Do you think that schnook Harry Cohn is gonna fine you?"
"He'd do it. Never liked you..."
My blood boiled. Any other time or place, I would snap his back like a toothpick and then use it for lunch. "Me? He was a bum when I got into town and he's still one."
She nodded, half-afraid. She knew I was right.
"I'll take care of it, baby," I said as I poured the Jack.
"Frankie... Don't...," was all she said and looked away.
I bit my bottom lip and headed out to the pool with the Jack. Her "don't" told me alot. It said that those silly Hemingway movies were more important to her. It also told me she had no confidence - maybe in me as a father, herself as a mother - I dunno.
Yup, I knew what that "don't" meant. I went back inside to convince her that this baby would save us, but it was too late.
And as I watched her walk out the door to get her second abortion, I knew we'd be in Mexico this time next week signing the papers.
It wasn't long before I started to dread the heat.
# # #
And now, just listen to the pain in Frank's voice as he sings "I'm A Fool To Want You," undoubtedly to Ava. Gives me chills...
As always, a magnificent presentation. Great photo, great song, and that story just breaks your heart.
ReplyDeleteMasterful work, Ant.
Thanks, Gracie... that's actually true (and not fiction) about her abortions.
ReplyDeleteThanks for popping by...
Excellent story. Full of emotion. I can see how that photo would have inspired this. Well done!
ReplyDeleteI love how you do this, Anthony. I'm not someone who knows much of anything about The Chairman or Ava, but you seemed to nail their voices here.
ReplyDeleteYou spook me sometimes, man.
I've read about their love affair and it always tugs at me too. Those two seemed to have never completely gotten over each other either. I remember reading that he sent her flowers on birthday until she died. Sad story there, excellent depiction of it.
ReplyDeleteAlways in character and high on style. This one packed an emotional punch, happiness evades even the glamourous ones sometimes.
ReplyDeleteBrilliant! Great photo, too.
ReplyDeletewe used to sell postcards of that picture & I never twigged what it was. Great stuff. Thanks
ReplyDeletemarc nash
Killer last line and great voice. As usual this one is a smooth as silk.
ReplyDeleteYou might have been born 40 years to late Anthony, but I'll nominate you for honorary induction into the Rat Pack.
ReplyDeleteYour "toothpick" line made me think of Phil Hartman doing Frank on SNL and telling Sting (playing Billy Idol) "I got chunks of guys like you in my stool."
You are a master at the classics and class!
ReplyDeleteIt is a great photo, and the story has that style Sinatra definitely tried to affect. Solemnize cool with cool, Anthony.
ReplyDeleteTypo: third paragraph of the story, "reapted" for "repeated"
Style and charisma. Yeah, sure, Sinatra has that, but I meant your writing style.
ReplyDeleteAlways a pleasure. Always.
a great post from top to bottom. that last line was killer!
ReplyDeleteAlways catch you late in the day, but well worth it. You always deliver, Anthony. Well done.
ReplyDeleteIt's a sad story Anthony. You captured her selfishness (career, self preservation). His lack of understanding in how a woman feels in a man's world, and the total heartbreak in knowing true love isn't enough - not in Hollywood - maybe not anywhere.
ReplyDeleteOh the pain! You evoke the strong emotions here so very well Ant. And I love the photos and video. No wonder everyone loved her - she was so captivating.
ReplyDeleteGreat rendering of sad story, masterful dialogue and storytelling. Very admirable.
ReplyDeleteSo cold. If it's not about the movies, then it's because she thinks he's not fit to be a father, or not deserving to be one. Either way... cold.
ReplyDeleteTightly written.
I'm always amazed by your voice when you channel this era.
ReplyDeleteSad, for so many reasons. But the writing is wonderful.
ReplyDeleteA great mix of fact and fiction, Ant. Love these kind of stories.
ReplyDeleteI don't know much about Sinatra or Ava but you've made them pretty real in this piece. Now I feel like I could know them personally. Well done.
ReplyDeleteVery, very sad, and very well written. I love your use of media too, it enhances the story a lot.
ReplyDeleteTying the video song to the story was brilliant, and the story itself was very moving. I had to go look it up afterwards to see the inspiration. Wow. Great work, and such a sad story.
ReplyDeleteI think you're Sinatra. That's it, right? He was put into a chamber and zapped and walked out as you. That's how you do it! ;-)
ReplyDeleteLoved the prose, the image, and the music. One stop for awesomeness.
Hello everyone, i have a framed photo of this brought 15 years ago and holds a lot of memories for me, just curious what it may be worth
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