NEW FICTION: Bourbon & Blondes has arrived!

From the bus stations of Rt. 66 to the smoky, neon-tinged jazz dives of the big cities, these wanton tales of longing introduce us to vixens on the fringe and those shifty men that drove them there.

Subscribe for the latest updates

Sign up to get Anthony's newsletter featuring news on his new books, stories, events and pop culture musings

Watch: The 'Bourbon & Blondes' Book Trailer

Get your shot glass ready because you're about to enter a retro world of showgirls, drifters, barmaids and thieves.

The eternal question for scribes?

In this new social media landscape, the question becomes: Is blogging dead? It just may be...

Watch: The 'Front Page Palooka' Book Trailer

Read the pulp novella that one reviewer called 'A potboiler in the style of old school writers like Mickey Spillane, Dashiell Hammett or Raymond Chandler...'

Showing posts with label jack kerouac. Show all posts
Showing posts with label jack kerouac. Show all posts

Friday, May 21, 2010

THE WRITER AND THE READER (flash fiction)

Click for some mood music

He was tired.

He'd been travelling too long without a decent bed. Just after lunch, he crossed the California-Nevada line and as he saw it, was headed towards Las Vegas.

He hitched a ride with an Indian native to the state. He asked the Indian what tribe he was from and the Indian welcomed the opportunity to speak of his land and people. As they drove past the Hoover Dam, the Indian told him that the state was thriving and that all the new gaming halls, kept everyone busy and employed.

Getting day work was all he worried about for the time being.

They drove.

###

By midday, the Indian had dropped him downtown in Las Vegas and he hit the first dice joint he saw - the El Cortez. The Indian told him that the place was built around seven years ago for $245,000 and was "The Bee's knees..."

He spent the better part of the afternoon courting Lady Luck, and after realizing he was up about what was worth a carton of cigarettes, he found the casino's coffee shop to get his first meal of the day.
###

Her name was Joy and she was the hostess at the El Cortez Coffee Shop. He asked her for a quiet table away from the counter and as she seated him, poured him some coffee. Black.

""You look like you can use some high-test," she said with the slightest hint of an accent.

He tried to place it but couldn't and asked,

"Where are you from? That's an awfully sweet voice you have."

She explained that her family was part of the early spice trade in St. Croix and her island accent was a mish-mash of every country that flew it's flag on the tiny caribbean isle.

"You can hear everything from French to Spanish to Dutch," she explained.

"It's gorgeous," he said.

She smiled. "Thank you..."

"-- Jack," he said. "I'm Jack..."

###

He rented a room in the Red Light district of town, not far from Freemont and was pretty excited that Joy actually agreed to grab a bottle after her shift and join him.

Granted, the room looked like Louella Parsons' armpit but he was tired and needed something with springs to sleep on. He poured some of the Canadian Club into a mug left behind on the room's dirty sink and offered it.

Kicking off her heels, she scoffed. "I'll drink from the bottle, thanks."

"My kinda girl..." he said swigging the mug before handing over the bottle.

He turned on the radio. Tinny speakers bled the horn of Charlie Parker. Jack shut his eyes and it seemed for a moment, he needed the music more than the whiskey.

Bird spoke to him and he plucked his notebook from the satchel, scribbling something furiously.

Joy arched her eyebrow and then cocked her head, unsure now, of why she was even there.

"I'll be one second, darlin. Just gotta get this down...."

"Well, If you're gonna write, I'm gonna read," she said pulling a small hardcover from her purse.

That peaked his interest. He walked over to her and inspected the spine which read: 'The Naked and the Dead.'

"What's a cupcake like you doin' readin' a war novel?"

"Norman Mailer is a genius," she said snatching back the book.

He giggled condescendingly. "He's a horse's ass is what he is. He was a fuckin' cook. What combat did he see? Anyone who reads a newspaper could've written that."

"Oh, and I suppose you're a writer," Joy snapped, a little more than half-insulted.

"Damn straight, sweetie..." he winked.

"So what do you write about?" she asked swigging a little more hooch.

"I write about real stuff. Me. My friends," he answered. "... And women."

"So what's this great book going to be called?"

He shrugged. "I'm thinking of calling it something like 'On the Highway."

"Were you on many highways?"

He bent over to tie one of his shoes. The lace was about to snap. "More than I can remember, darlin'."

"I like 'On the Road,' better," she said. "Snappier..."

He wasn't sure what to make of her suggestion and kept repeating to himself and then got lost in an approving knod. Then he wrote it down.

He took one last swig from the bottle and kissed her forehead. "I can't hang with a chick who reads Mailer. No offense."

###

After he left, Joy just stared at the door for what seemed to be something like a half hour. Did that bastard really leave? She thought of leaving herself but the room, shitty as it may be, was paid for. So she decided to finish the Canadian Club and pondered her mystery man.

Some writer, she kept thinking.

"'On the Road' ... Who would ever read that?"

________________________________________________________
About the artist: If you recognize the style of the amazing painting above it's because it's by Rudy Nappi, the talented illustrator who painted a plethora of Nancy Drew and Hardy Boys book covers. Read more about him HERE.

Bookmark and Share

Monday, April 19, 2010

IS AN 'ON THE ROAD' FILM REALLY HAPPENING?


Jack Kerouac fans may wet themselves here and props to Slashfilm for getting the scoop on this one. Production Weekly had a late-breaking item reporting that "Tron Legacy" star Garret Hedlund (pictured below) is in talks to play Dean Moriarty in a big-screen adaptation of the ground-breaking Jack Kerouac novel "On the Road." It's set to be supposedly directed by Walter Salles.

The site says that filming will start this summer but, truth be told, shooting has been planned multiple times in the past. Casting Hedlund is certainly a step showing momentum.

After Francis Ford Coppola optioned it in the late ’70s, the Kerouac adaptation has been in development for years and in the hands of more than a few directors.

In 2005, "The Motorcycle Diaries" director Salles started eyeballing the project. At the time, though, he was set to continue his collaboration with screenwriter Jose Rivera. The duo have recently been attached to an adaptation of "American Rust."

The book was written in April 1951 and published by Viking Press in 1957. It's a largely autobiographical work that was based on the spontaneous road trips of Kerouac and his friends across mid-century America. Why is it important? It's considered a defining work of the postwar Beat Generation that was inspired by jazz, poetry, and drug experiences. While many of the names and details of Kerouac's experiences are changed for the novel, hundreds of references in "On the Road" have real-world counterparts.

When the book was originally released, The New York Times hailed it as "the most beautifully executed, the clearest and most important utterance" of Kerouac's generation. It was subsequently chosen by Time magazine as one of the 100 best English-language novels from 1923-2005.

A 2008 interviews suggest that Salles (pictured)may modernize the tale.

"I am not really interested in doing a period piece that wouldn’t have a correlation with what we are living right now. There is a strange modernity to the theme, and maybe “On the Road” is more contemporary today than it ever was."

Can you feel Kerouac rolling over in his grave? Let's hope he doesn't screw with the period. Salles has also recreated the journey undertaken in the novel with the documentary "In Search of On the Road," a portion of which will show soon at the San Francisco International Film Festival. Talk about research...

Expect more casting to see who is cast as Carlo Marx, (the character based on Allen Ginsberg). Reportedly "Control" actor Sam Riley is cast as Sal Paradise, (based on Kerouac himself). The latter casting news, though, according to Slashfilm, is roughly a year old -- an eternity in Hollywood. Take it with a grain of salt.

Here's my twp pennies: I really really wish they'd make a Kerouac biography on the big screen. As for casting? I know my two choices: Daniel Craig and Jon Hamm. Dead ringers.

Click to enlarge

Saturday, September 26, 2009

MY VIDEO - 'KEROUAC: KING OF THE BEATS'

OK... Making this one was fun. I'm reposting this here on my blog because YouTube seems to take down every video made that doesn't have their "sanctioned" music attached. Bummer.

So, that said, there are plenty of Kerouac videos out there. This is a short video I created that tries to capture the aura, essence and bravado of the tough guy scribe. Have a scotch for me, Jack, wherever you are...

And by the way, when in hell is someone going to make a Kerouac biopic?? Looking at him in some of these portraits, I nominate Daniel Craig. Yes... James Bond. They sorta look alike.




Wednesday, May 13, 2009

THE LIZARD KING MEETS JACK (flash fiction)



This is a tale that coulda prolly happened. Somewhere in the late '60s, it's a tale where the beatnik met the hippie...

With his tight leather pants and a swagger to embarrass Mae West on a bad night, the Lizard King entered the Waldorf elevator and saw Jack, one of his literary idols.

"Hey man, you're Jack Kerouac..." the shaman-like guy asked, mellow and low.

Thift shop chic and effortlessly handsome, Jack was in the Big Apple to deliver his latest manuscript and answered,"That's my name..."

"I read everything you ever wrote -- the name is Jim," his fan said. "I'm in town with my band called The Doors."

As he watched the greasy hippie walk off to his room, Kerouac thought, "I work my whole fuckin' life, hitchhike across the country and they call this fucking guy a poet..."



Tuesday, August 12, 2008

KEROUAC: KING OF THE BEATS

OK... Making this one was fun. So there are plenty of Kerouac videos out there. This is a short video I created that tries to capture the aura, essence and bravado of the tough guy scribe. Have a scotch for me, Jack, wherever you are...




Monday, June 9, 2008

THE OTHER SIDE OF KEROUAC


Enjoy the review of this book, located proudly on the shelves in the library of Hemingway's Lounge. I reviewed the tome YEARS ago, but the book it still a consistent seller at Amazon. Enjoy!

Like Hemingway, writer Jack Kerouac has ingrained himself into the very fabric of “The American Literary Experience. Where Hemingway was distinguished, Kerouac was cool. The pop culture’s guy’s guy.

A hip scribe who’d think nothing of hopping a freighter in the middle of nowhere and arrive at an even more remote destination and work as a farm hand earning just enough for a pack of Chesterfields, a bottle Dewars and, possibly, a copy of the newest Charlie Parker LP. He didn’t give a rat’s ass about conforming. The “nine-to-five” wasn’t in his vernacular.

That’s why it’s so surprising (albeit, downright quirky) to see “Door Wide Open: A Beat Love Affair in Letters,” a collection of postcards, letters and poems where Kerouac corresponded with girlfriend Joyce Johnson between 1957-58. Filled with the same literary scatting and spontaneous prose Kerouac was best known for, “Doors” starts in a Greenwich Village Howard Johnsons right before the publication of “On the Road” made him a household name. Broke and womanless, poet Allen Ginsberg set up a blind date between the 35 year-old Kerouac and 21 year-old aspiring writer (and beat groupie) Joyce Johnson.


Interspersed between letters, Glassman’s commentary reads almost like guilty-pleasure fiction in this supreme soap opera of star-crossed beat lovers.’ With no second thoughts,” Glassman writes, “I rushed downtown to meet him, who at 34 was one of the most compelling-looking men I’d ever seen, with black hair, blue eyes, and ruddy complexion. ...After an hour or so of conversation, when Jack asked whether he could come home with me, I answered with deceptive coolness, ‘If you wish.’ Young women were not supposed to have such adventures in 1957.” Kerouac stayed with her for three weeks and then took off on one of his soul-searching jaunts to Africa (specifically Tangiers), thus beginning the affair of letters that lasted about two years with the King of the Beats globe bopping from New York to such locales as Paris, San Francisco, Orlando and Mexico City.

The exchanges between them give the reader the almost voyeuristic opportunity to experience beatnik life in the fifties as well as catching a glimpse of the tender side of Kerouac that has yet to emerge:
” Got your fine letter - Yes, we’ll find you some place to stay in the city when you get here,” writes Kerouac from Frisco. “...I’ll meet you at the bus station (or some pre-arranged bar) and I’ll carry your bag and we’ll go find a room. ... You’ll love it here, it’s great... There are art museums, beaches, glorious parks, those Chinese restaurants, wharves, waterfront, all kinds of interesting scenes and people , lotsa jazz, friends to make. Just ignore me, my gloom, unless I feel better when you get here. As ever. - Jack.”
Yet at times, the roguish charm that was all too much the real Kerouac intrinsically breaks through and the reader can almost hear the young Johnson cringe as she reads her boyfriend’s frank letters:
“Look forward to seeing you,” Kerouac writes from Tangiers, “lonely here, don’t like whores anyway and no girls speak English.” Ouch. To that all Johnson says, “It was as if he forgotten for a moment whom he was writing to. But I decided not to probe into the question whether or not Jack was seeing other women - a policy I would later try to stick with much greater difficulty.”
As Kerouac struggles with a bewildering fame, readers will find the work an remarkable portrait as he struggles to cope with his public, dodge critical attacks against his subsequent works and teeter totter his relationship with the only woman who might have truly understood him.